Sin Creek getting great reviews!

Martha Cheves, author of Stir, Laugh, Repeat, is an avid reader and reviewer of all genres...when she's not in the kitchen cooking up a great recipe. I was delighted that she read Sin Creek and wrote an awesome review. She asked me for a recipe and posted the review and recipe at A Book and A Dish, where she blogs. If you'd like to see them, head over to http://marthaskitchenkorner.blogspot.com/ or look for A Book and  Dish on Facebook.

Thanks, Martha! 

S. Michael Wilson

I welcome S. Michael Wilson, author of Lugosi.
Tell us a little about yourself.

Born in Rochester, New York in 1973, I was transplanted to New Jersey at the tender age of eight, and have yet to make my escape. My generation was the first to grow up with twenty-four hour cable channels spewing nonstop movies, and so I grew up with an appreciation for film. In my adult life I have been employed as a postal worker, production assistant, warehouse manager, theater manager, underground fuel tank technician, stockroom clerk, office manager, projectionist, and even a lowly comic store clerk. During all of these various occupations, however, I have always been a writer. I was also named after a song, but I’m not telling which one.

Tell us about Performed by Lugosi.

Performed by Lugosi takes a closer look at the life and work of iconic horror actor Bela Lugosi by examining the classic literary origins of seven of his films, selected from various points in his career. Each section includes the complete short story that the film was based on, a detailed synopsis of the film, the origins and history of both, a comparison of the differences and similarities between the two, a look at Lugosi’s life and career at that point in time, and my own thoughts and reflections on his performance and the film.
The scope of the book is a little ambitious on my part, an attempt at an amalgam of literary criticism, film theory, biography and movie review, which is hopefully not nearly as boring as it sounds. I wanted to write something about Lugosi that was more than just historical documentation and anecdotal reminiscing; I wanted to show how I view and appreciate films, the different ways that films and performances are influenced, and the similar origins that can often yield vastly different results. I also wanted to show that you can have a love or an appreciation for performers or films without turning a blind eye to their obvious faults and shortcomings, so I don’t just spend the entire book praising Lugosi and his films.

Is it available in print and e-book formats?

Performed by Lugosi is available in print form from Amazon.com, really cool local bookstores. My publisher is currently working on making it and my previous book (Monster Rally) available on the Kindle as well as other electronic e-book devices.

How do you determine voice in your writing?

I think the subject matter and my connection to it usually determines my voice more than I do. I have rewritten entire articles I originally felt demanded a serious tone, yet upon review came off as boring and sterile. Performed by Lugosi was just the opposite. I started the project with the intention of writing a snarky and comical look at Lugosi’s films and career, but the more I researched and immersed myself in his work, the more I discovered that I respected it too much to treat it that way, and so my approach became a bit more measured and clinical. In the end, I think it all comes down to that intangible “Whatever feels right” mantra, which is one of the aspects of writing that can make it so frustrating, yet ultimately rewarding.

Do you have specific techniques you use while writing?

When it comes to film theory and criticism, I like to keep the film I am writing about playing in the background on a continuous loop. It might sound a bit simplistic, but I find that immersing myself in a film on an almost subconscious level helps me get past the first impressions and assumptions that can often influence the interpretation of a film. After the tenth or fifteenth viewing, even peripherally, the film becomes such a part of me that I begin to notice details or themes that normally would not occur to me. This is probably the reason, for instance, that I spend a whole page or so discussing the thematic implications of the missing arm of Lugosi’s character in "Phantom Ship".

What is your most rewarding experience during the writing process?

I stick to the old quote, attributed to various authors, “I hate writing. I love having written.” My most rewarding moment comes much later, when I am reading over a past project, and I come across a passage that I not only do not remember writing, but am actually surprised came from me. There is no better feeling than impressing yourself.

Any current projects?

Oh my, yes. My ongoing project/hobby/obsession is a film review podcast I co-host called "MovieSucktastic". It is mostly dedicated to bad movies, and is available on iTunes and at www.moviesucktastic.com, with written reviews and comments from the show available on the sister blog, boothreviews.blogspot.com.
As far as the books go, I am currently working on the forwards to several film novelization reprints scheduled for release by Idea Men Productions, a follow-up to Monster Rally, and a book on bad movies based on my work with MovieSuckastic. A screenplay I co-wrote, a romantic comedy involving a yard sale, is slated to shoot in the spring of 2011. I also have a short story collection and vampire novel in the works, but those are currently taking a back seat as I devote more time to my film-related projects.

Where can folks learn more about your books and events?

My official author page is www.smichaelwilson.com. There you can find the latest news about my current work, upcoming projects, and future appearances, as well as links to my Facebook and Twitter pages. My unofficial and less professional blog, scottsbookshelf.blogspot.com, is where I post my random, unorganized, and occasionally NSFW thoughts.

Michael, thanks for an interesting interview. Best of sales!

Mari Sloan's Beaufort Falls

Mari Sloan dropped by to answer a few questions about Beaufort Falls. Welcome, Mari. Please give us a brief bio.

I am a Southern writer whose family is from Atlanta, Ga., now transplanted to Southern California where I live in a small apartment with my husband and a huge black cat. Writing is my part-time vocation, and I work fulltime as an AdMin for a furniture store, although my past has included counseling, teaching, disaster relief work for the American Red Cross and night and weekend director for a domestic violence center. Mental health, crisis intervention and the welfare of women and children have always been high priorities in my life.

How does your environment/upbringing color your writing?

The Author’s page on my webpage begins with a statement that I think sums up most of my writing. I tell everyone, only partly tongue-in-cheek, “my Mother was Scarlett O’Hara and my Father was John Wayne.” My Great-Grandmother was the first prison matron for the state of Georgia, a saintly woman who wore an apron instead of a uniform and who stopped a prison break once (two women on foot who had decided to leave the work farm) with nothing but a stern look and a switch. From an early age I was told that my life should matter to more than just myself, and I was expected to be of service to others in some way. When you add the influences of some decidedly off beat religious experiences and a Grandmother who had learned through contact with prisoners at an early age how to predict the future and who was never wrong, I had all of the elements for a first class novel before I was ten.

LOL. I love it! Tell us about Beaufort Falls.

In Beaufort Falls a determined ghost comes back from the grave to protect her living children, still in the custody of her abuser, and to avenge her murder. This is accomplished with the unconscious help of her very strange ex-lover, who manages to evade arrest himself by a series of creative impersonations, beginning with posing as the first man he is supposed to have killed, and ending as the biggest, most awkward woman you could ever imagine, a part I picture as being acted if it ever becomes a movie by Bruce Willis. A mix of characters rotate around this main plot, a dangerous religious fanatic, two cute little kids, women whose biological clocks are ticking loudly, lost boys adrift in a mental health system gone astray, two of the most inept “hit-men” you could ever image, with an action packed finish that leaves room for a sequel. “Nothing is what it seems, in Beaufort Falls!”

Is there a message in your writing you want readers to grasp?

Yes, a definite message of hope for victims of domestic abuse, the mental health system, and people who are dealing with injustice anywhere. Not even death prevents Eliza from taking care of her children and making sure that they are taken care of. A secondary message, or its “subtext,” is that you never really know what you or anyone else is capable of just by watching life move around you. What may seem ordinary on the surface can be very bizarre indeed. Who knows what his or her neighbor is really thinking, or what goes on behind their little white picket fence or closed doors?

How do you develop characters? Setting? That all-important first sentence? Your “voice?” Influences?

My setting is, of course, the land of my childhood, the sleepy, sultry, Deep South, where superstition, religion gone insane, agenda determined aberration all move beneath the surface of normality in grooves worn by centuries of the misuse of power and sanctioned abuse of the weak. My characters are all shaped by this, but show extraordinary creativity, strength and ingenuity in overcoming the obstacles placed in their way. The ones regarded as the weakest are actually the toughest, and you cheer for them every step of the way.

I lived in Southern Alabama, Beaufort Falls’ setting, for several years and found it much like my Atlanta home and my childhood in hot, humid South Georgia. My first sentence? "Beaufort Falls was not exactly what you would call a ‘happening’ town.” Not on the surface, anyway. My voice is satirical, in the best tradition of Southern writers, and my greatest influence has always been Pat Conroy, probably the best portrayer of human nobility and fallacies in the history of the written word. Want to see me do the dance of joy? Compare me to Pat.

Where do you write and what particular distractions do you have to overcome? What helps you concentrate, aids your creative process?

Life throws distractions at me with the accuracy of a curve ball pitcher on a pro baseball team. I live in a studio apartment with a mate whose schedule is my opposite and there is always confusion and noise around me. The plus side of this is that he is my soul-mate, and nothing I say to him disturbs him. We both have to be creating something to be happy, so it’s not at all unusual for conversation on a Friday or Saturday morning to go like this:

“Mari, come here and look at this! Look what Microsoft is doing now!”

“Leave me alone. I’m writing!”

“But look! Should I send this out? Come proof this for me.”

“In a minute. Charlie knew that he …”

“But Mari, I’m going to send it …”

“Shut up!!” Eventually I take a look and then this same restless man sits still and lets me read my chapter to him, even when he’s heard it dozens of times before. Beaufort Falls took three years to finish its first draft and then it went through more than ten major and minor rewrites before I was happy with it, and this poor man heard it read out loud to him every word of the way. Then we suffered through the publishing process as partners, creating It’s ME! Ink Press and learning together how to launch “the baby.” Now I’ve gone through three years of creating its sequel and reading IT out loud, as well.

What are your current projects and where can folks learn more about your books and events?

Road Trip, the sequel to Beaufort Falls, should be out by August of this year. I’m working at rewriting and editing it now, and in it Molly, who was only eight in Beaufort Falls is a troubled teen-ager who teams up with her biological Dad to transport a pink trailer to Hollywood where she believes that she can sell it and make her fortune. There is a cosmic subplot to this thriller and an entirely new array of characters as they cross the country. Native Americans, Chinese gang members, a god-like superhero “more like Spiderman than Superman,” a vicious, super-powered black cat, and more make this novel even more multi-faceted than the first.

You can find Beaufort Falls for sale on Amazon in both print and Kindle versions, Barnes and Noble.com, anywhere books are sold online or you can order it from your favorite bookstore by author name (Mari Sloan) or title (Beaufort Falls). It should be delivered to your door within ten days, either way.

You can reach my website using either
http://www.beaufortfalls.com/ or http://www.marisloan.com,or/ visit my blog at http://mari-thewritersblock.blogspot.com/ . I’m also active at Book Town and you can always send me messages here, whenever you’re around.  (Mari's interview will also be posted at booktown.com)

It’s a pleasure to hang out with Susan and I thank her for her time and her wonderful questions. If there is anything else you want to contribute or ask me, leave a response here, under the interview, and I’ll reply right away!

Thanks so much, Mari. Continued success!