Series and Non-series books

It's been quite a while since I posted anything about my own work. I've been interviewing and showcasing others. But this morning, I thought I'd post about my own series and the current project, a non-series book. When I wrote my first book, I ran into the same problem so many of us face:  plenty of rejections. After months of trying to write the sequel and getting nowhere with the first novel, Genesis Beach, I self-published. I had a fairly good experience with it until I tried to get the book into chain stores and got the cold shoulder at every turn. To shorten the story, I was thrilled when L&;L Dreamspell, a small Houston-based publisher, signed me. They picked up Genesis Beach, much to my delight, and gave me the opportunity to rewrite and strengthen sections of the book. They also created a cover with major impact. There are currently four novels in the Logan Hunter Mystery series.

Genesis Beach is set along the North Carolina Crystal Coast with a quirky and gutsy young female SBI (state bureau of investigation) agent. The second novel, Just North of Luck, is set in the beautiful Blue Ridge Mountains and showcases Madison County and Asheville. I really upped the ante in this one by having a serial killer and getting into his brain or rather having him in mine. It truly was a scary time for me since I carried this character around in my head for months. I was relieved to finish the book and have him move out of my space. In this book, Logan meets Chase Railey, a Madison County detective who works with her on the multiple murders, all gruesome and not fitting a serial killer mold.


In Hell Swamp, Logan thinks she can take a few days off, her supervisor assigns her to investigate a murder at Black River Plantation, four miles from where she spent her childhood. She heads to Pender County begrudingly and confronts a sheriff and deputies who failed to contain the crime scene, creating a nightmare for Logan. As she begins to question deer hunters in the area, she learns that the victim had many enemies and nobody is stepping forward to help her find the murderer.  When she eventually finds the killer, she and the entire rural community are shocked beyond belief at the circumstances that led to murder.
Chase comes in to help her with this case, but a misunderstanding leads to a strained relationship. When the couple are trapped and nearly fried by an arsonist's forest fire, they vow to work things out if they survive. By the end of the book, Chase proposes. He is sworn into the SBI.

As Logan leaves her bridal shower in the fourth novel, Sin Creek, she is paged to a local university campus where the body of a young student has been discovered. Even though she and Chase make it down the aisle, they are often assigned different cases across the state, and Chase's terminally ill mother dies in Asheville, sending him home to handle the arrangements and leaving Logan to work with an obnoxious agent sent in to help. Logan and Farris McCracken (Crack) don't get along. The tension is deafening and distracting, but the investigation moves along...right into the pornography industry. Logan is incredibly uncomfortable about having to follow Tit (Thomas Irving Trollinger)who appears to be the porn king. She ends up on a ferry dressed as a bar maid and discovers that Crack is also onboard. When she has to make a hasty retreat in a lifeboat, Crack jumps in and drives her 4-inch heel through the raft, causing it to spring a leak. They end up swimming to a small island in the middle of the Cape Fear River, hoping the river alligators don't notice them. Logan is relieved when Chase returns to help, but she has no idea how her life will change before the investigation is over.

All of the Logan Hunter books are set in North Carolina, where I've hung out all my life. There's so much beauty here, so many dialects and personalities. I love this state!

I'm in the planning stages of the fifth Logan Hunter Mystery, tentatively entitled Punch Street. But I have been working on a non-series novel about lifelong friends, Mackie Sue Beanblosson and Daisy Marie Hazelhurst, in their sixties, going through hot flashes, weight gain, marital problems, and trying to hold down jobs. You know, a day in the life sort of thing.  The book is entitled The Goose Parade of Old Dickeywood. It's entirely different from the Logan Hunter series, but I am having fun with it. I hope to have it ready for publication in 1212, but I really need to get busy.

Video trailers for Just North of Luck, Hell Swamp, and Sin Creek are over at Youtube.com  All books are available in print and ebook from the publisher, online stores, or through my site, www.susanwhitfieldonline.com  I hope I've whet your appetite. Leave a comment for a chance to win the book of your choice!

New business card

My new business cards arrived today. I love them! Not only do they have all four of the Logan Hunter mysteries, but I am driving into a dark and stormy...uh...oh, not that!

I am driving down a long lane of shade trees at dusk. I think the mirror view is great too.

What do you think? Will it get attention?

Erotica

My special guests today are Linda Houle, Loretta Wheeler, and Randall Rohn, all contributors to  the anthology, Erotic Dreamspell. Welcome, you all.

Linda Houle is an author and the co-owner of L&L Dreamspell, a Texas based independent publishing company. Her favorite part of the job is designing book covers. She also runs a small wildlife ranch, Westwind Dreams, in the beautiful Texas Hill County.


She writes some of her fiction under the pen name Linndah, including the story for Erotic Dreamspell.

Here's a synopsis of her story:

"Black Earrings" by Linndah

When a padded envelope with black earrings and an invitation arrived in Marilyn’s mailbox she felt compelled to meet the man named Ladislov. He’d seen her work in a gallery, and wanted her to paint his portrait. His striking resemblance to Dracula both intrigued and frightened Marilyn. Did he know she had a vampire fantasy? Could he be one of the undead?

Loretta Wheeler: Hello Susan, thank you so much for having us here today.

My pleasure, Loretta. Tell us a little bit about you.

In the Erotic Dreamspell anthology I’m writing under the name L Reveaux. Works of mine that have a darker side, graphic language, or sexual content are written under the pen name, L Reveaux.
I live in the south, in Texas, with my Australian husband, and our cat named Lil’ Dickens. Our home is surrounded by lush vegetation with decks that run the parameters and a porch swing tucked at one side, which has become my most favorite spot to tempt my Muse to join me and “sit a spell”.
My writing style encompasses thrillers and the paranormal. I write under two names; Loretta Wheeler when I’m writing a more typical thriller, and L Reveaux for my darker works.

What's your particular story?

My piece, “Siren’s Call”, is releasing in the Erotic Dreamspell anthology, and is the story of Michael, a charter boat captain who thinks he has seen almost everything—until the day he witnesses something so unbelievable, alluring, and beguiling, that he finds himself compelled to enter the depths of another of reality—a reality that shimmers like a moon-kissed wave, and promises delights that will take his breath away—and may or may not return it.

Randy, fill us in on your writing and the story in Erotic Dreamspell.

Randy:  I’m an award-winning creative director for Keller Crescent Advertising, the largest independent agency in the United States. I have also worked for DDB and Leo Burnett in Chicago before coming to Indiana about eight years ago. Although I have a novel coming out in 2011, so far I’ve only had short stories published, mostly with L&L Dreamspell, although I was thrilled to have a short story of mine picked as one of the "Best American Mystery Stories 2009" by Jeffery Deaver and Otto Penzler.

My story, "Sex Machine", is a bit of a science fiction story set in the future. It’s about a man who has never slept with a woman and wants to very badly. He sets out to discover why women aren’t attracted to him and how he can correct the situation. Believe it or not, it’s a humor piece.

LOL. I must read this!
Folks, what books came along at just the right time to influence your writing this particular genre?

Linda: This story is primarily a Dracula fantasy, set in modern day. So Bram Stoker’s Dracula was my influence.

Loretta: I don’t know that any books in particular influenced my work when writing in the erotic genre. For me, it is the telling of a story that is my initial intention, and then if the story has a sensuous side to it, I will sometimes go deeper into that aspect. The two occasions where I have crossed the line into the erotic area, I felt the story needed it to set it free and tell the tale with the full range of emotions involved.

Randy:  Dave Barry

Where do you get your inspiration (and keep it clean!)

Linda:  I’ve read and written a variety of genres. As a publisher it’s helpful to know what works and what doesn’t in a good story, no matter the genre. I’m a fan of Dracula stories, so I decided to write one of my own. It just happens to have sex—as many vampires tales do, so it’s part of the Erotic Dreamspell anthology!

Loretta:  Sidney Sheldon’s writing has always made me feel that one could write a story and include a sensuous side to it, but the story remain dedicated to the storyline, not the sexual side. I feel the same about my works that have explicit sex, they cross the line to a degree, but it’s part of the plot, not the main emphasis.

Again, since my main focus is on the story, my inspiration could come from anywhere. In “Siren’s Call”, it came from a phrase used by one of the other Dreamspell authors, Sylvia Dickey Smith. The comment was made on her site that in a previous life she was a beautiful mermaid with gorgeous blonde hair and a tail to die for :) It stuck in my mind and I couldn’t seem to let it go, so I stopped work on the novel I was writing, took a break, and wrote the fishtail story (sorry couldn’t resist), “Siren’s Call”.

Randy:  Newspaper articles. Advertisements. Watching people. Really, I can’t pin it down because it depends on the story.

What makes a good story in your opinion?

Linda:  Anything that evokes emotion or curiosity. In the erotica genre, there should be a storyline besides the sex scenes—something to provide a reason for the sexual situations.

Loretta:  A good story, in my opinion, is one that holds the reader, and hopefully does it so well that they don’t want to put the book down until they’ve finished it. That, to me, is a good story. And of course then there are great stories that make you darn snappish if anyone dares interrupt you before you’re finished.

Randy:  Conflict. Interesting characters. A quest of some sort. I also like stories in which you learn a little bit about something of which you knew nothing. I wrote a suspense story that’s in Your Darkest Dreamspell about a glue factory. I put in little tidbits about the glue making process. I found that a little off beat but interesting.

How do you discipline yourself when writing?

Linda:  The right story comes pouring out with no discipline required. If I feel I am forcing myself to write, then I set that project aside for a few months. Later, if it still feels forced, then it should be scrapped altogether!

Loretta:  I’m laughing at this—I am truly not typical with my writing. There is a part of me that really wishes I were more typical. I try not to look at it as disciplining myself—that sounds way too restrictive to me. I do set deadlines and goals if the deadlines aren’t established. I tend to do my writing in increments of time rather than a daily routine, which seems to work better for me. Just visualize a temperamental artist at work accompanied by a wayward Muse.

Randy:  I set aside an hour a day to write

When writing a story, are there any particular themes you feel passionate about?

Linda:  For fiction, mystery and the paranormal/unexplained. For non-fiction, metaphysical themes, especially about the nature of consciousness.

Loretta:  I suppose my underlying theme if you could call it that, is that we look at life, and others, with a little more broadmindedness. For me, everything is not in a box and categorized, so I often travel to places and concepts that aren’t the “norm”.

Randy:  Ordinary people in extraordinary circumstances.

Writer Anais Nin once said, “…and the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.” How much sex is too much, and where do you draw the line in your writing?

Linda:  When the reader actually becomes bored, rather than stimulated, by the sex scenes, then there’s too much sex and not enough story. It’s true that erotic is primarily about the sex but there needs to be a reason for the situation. An interesting storyline, balanced with just enough sex, is the goal.

Loretta:  As I touched on earlier, I don’t write a story just for the sexual side. If it seems to flow in a more sensuous direction, then I write it that way. It was difficult for me initially. All the thoughts of how I would be perceived if I wrote more graphically, and if the person I am would be confused with my style of writing, bothered me. I finally decided to write the way I envisioned a story and try to stop anticipating people’s reactions. Once I came to this decision, it seemed much easier to do. I draw the line with rough sex enjoyed by the victim, and I don’t delve into S&M.

Randy:  Too much is when I start getting embarrassed. I don’t really write erotic stories generally, so when I do, I put in just enough to push forward the story and to keep it interesting.

Do you have other writing projects underway?

Linda:  Too many to count!

Loretta:  I’m currently working on “The Image” which will be offered as an e-book, due to release by late summer or early fall of 2010. In it the reader is taken inside the belief of mind over matter, discovering that if it’s applied well; sometimes things aren’t what they seem.

After the release of “The Image” I will be returning to the editing of “The Midnight Dance/the Devereaux Chronicles”. This piece garnered me a PRO position within the RWA. I will also be completing the draft of “Dark Pleasures”, which L&L Dreamspell published as a short story in the anthology A Death in Texas.

Randy:  I’m working on a follow up to Hang on Sloopy, my novel which is to be published by L&L Dreamspell in 2011.

Where can readers learn more about you?

Linda:  www.lldreamspell.com/LindaHoule.htm

Loretta:  I have two websites: http://www.LorettaWheeler.com and http://www.lreveaux.com/
You can also find me on Facebook as Loretta Wheeler or on Myspace at http://www.myspace.com/southernnuances

Randy:  On the L&L Dreamspell site. I have a blog, but I must confess, I’m pretty lazy about blogging. I do tend to write something every day on my Facebook page.

Thanks for the interview and continued success to all of you!
(For more information about Erotic Dreamspell and other Dreamspell publications, go to www.lldreamspell.com)

Penny Sansevieri: From Book to Bestseller

Penny, back with another great post. Her topic for today:

From Book to Bestseller: what it takes to crack the list (and why you might not want to)


In the past 15 months, we've had 10 books on the bestseller list. When I say "bestseller" I mean major lists: New York Times, Wall Street Journal, et al. Still, even after numerous books and a variety of lists, the "list" itself still confounded me, so I decided to do a little research to find out what it really takes to hit a list.

First off, the term "hit a list" can mean hitting a bestseller list at any point of entry. This can even be the bottom 100. Many books that hit a list are never viewed by consumers, they land there, stay for a week, maybe longer or shorter, and then vanish. The numbers and metric for this can be tricky and in fact, not entirely accurate. If you've ever tried to hit a list and found yourself disgusted with the odds, I hope this article sheds some light on the ins and outs of how the process works. I do recommend though that you do some research on your own, there are some excellent blog posts out there that look at the finite pieces of these lists and how they are constructed.

First off, let's look at the facts. Bestseller lists vary by season, market, and genre. First, let's look at seasons.

Surprisingly enough, how many copies you need to sell of your book will often depend on when you release it. Pre-Christmas releases, for example, require bigger number than a release that happens in May. Why is this? Well, the holiday should speak for itself and the same is true for key Fall months like September. The hotter the month (not in temperature but in publishing releases) the harder it is to get onto a list.

The next piece of this is reporting. Another piece that might surprise you is that not all reporting is accurate. Never mind the fact that reporting can be slow; you could hit 20,000 sales of your book in October but not see this reporting until November for example, but they can also be inaccurate, and there's a whole market share that's never reported on. Technical, scholarly, law-related books can make up over two-thirds of the book market and are never reported on. Christian titles work the same way. You might say, "Well, what about The Shack?" This Christian title hit a list because it was sold en masse in retail outlets and not sequestered to Christian retailers that don't get the benefit of reporting to the lists.

Finally, let's look at list structure. Each list pulls book data differently, meaning that the New York Times does not pull trade book data, whereas the USA Today list does. USA Today also pulls these titles onto a single list, whereas the New York Times divides these lists up by genre.

A friend of mine who spent years in publishing once told me that publishing is all about perception, and this is very true. What she meant by this is that print runs (publishers refer to these as "advance print runs") as well as any and all advance buzz a book is getting will also help it land on a list. Generally a book that is just "born" into the publishing world with no buzz, advanced reviews, etc. won't capture the attention of a big list. The author might hit it well locally, but generally not nationally unless (like in the case of The Shack) there is some online viral buzz that builds. There is also the consideration of sales surge. This surge often happens during a very short period of time and doesn't always have to equate to huge numbers, it's the velocity of the push that matters. An associate of mine in publishing once told me that a book she was working with only sold 4,000 copies before it landed on a major list. The smallness of the number is staggering when you think about it. Keep in mind that this book hit a list during a slow period, too, so that also worked in its favor.

Also, lists aren't always based on sales. The New York Times, for example, is known for a non-sale list, meaning that they circulate to 37 reporting (book) stores to find out whether a book is doing well. If it's being talked about by the stores, it will often make the list.

When you do the research, you realize that there is no way *anyone* can "rig" a list and promise you bestseller status. Well, there is one way: by buying up a lot of copies of a book within a short period of time. There have been companies promising bestseller status that do this, but once their warehouses are uncovered the companies often fold. Also, these books at some point will flood the system yet again, usually as used copies on Amazon, which will compete for sales attention with their newly printed counterparts. Any way you slice it, buying up your own books with the hope of getting on a list should be the last thing on your marketing agenda.

Marketing your book with an eye on the bestseller list is great, but much like waiting for Oprah to call, it's not a preferred way to gain or keep your marketing stride. Instead, focus on things you can actually control that will benefit you. Like, let's say regional promotion or an aggressive Internet campaign. Or how about reading groups both online and off? Slanting your campaign to hit a list isn't a great idea, in fact, it's often the worst thing you can do. Yes, there are books that publishers know will hit a list right out of the gate. These titles are generally celeb or news driven, but for the most part, 99.9% of all bestseller status is unpredictable. Gather your marketing chips and put them on a bet that is more likely to pay off. I know authors we've worked with who get the word from their publisher that their book just hit a list, and they'll often call me elated and excited. Now that's a wonderful surprise.
~~~~~~~~~~~~~
Penny C. Sansevieri, CEO and founder of Author Marketing Experts, Inc., is a best-selling author and internationally recognized book marketing and media relations expert. Her company is one of the leaders in the publishing industry and has developed some of the most cutting-edge book marketing campaigns. She is the author of five books, including Book to Bestseller which has been called the "road map to publishing success." AME is the first marketing and publicity firm to use Internet promotion to its full impact through The Virtual Author Tour™, which strategically works with social networking sites, blogs, Twitter, ezines, video sites, and relevant sites to push an authors message into the virtual community and connect with sites related to the book's topic, positioning the author in his or her market. In the past 15 months their creative marketing strategies have helped land 10 books on the New York Times Bestseller list. To learn more about Penny’s books or her promotional services, you can visit her web site at http://www.amarketingexpert.com.

Ask Publicists Linda and Jim O'Connor

I am delighted to have O'Connor Communications to address a few of questions about the pursuit of publicity for our books. This is the first of five blogs on the subject.

 Lynda O’Connor is a principal of O’Connor Communications and takes the lead in book publicity activities. She and Jim O'Connor represent 23 authors, organizing national and regional book campaigns, book tours, media interviews, speaking engagements, media training, special events, and press materials. The couple won three national awards for the best book publicity in the country. Authors Lynda has represented describe her as "knowledgeable, professional, tireless, tenacious, creative, enthusiastic and dedicated". Both O'Connors work closely with their clients and makes sure they get the attention that they deserve. Lynda and Jim go across the country, speaking at writers’ conferences on How to Launch your Book through Powerful Publicity and Marketing. Visit www.oconnorpr.com for information on the books O'Connor Communications have publicized and for the endorsements from their authors.

Lynda, welcome, and thank you for agreeing to give authors some information and guidance about marketing.

Why does an author need public relations? 

We all dream that the publisher will promote our book. The reality is that in YOUR BOOK PROPOSAL, you have to tell the publisher how you will promote your book. Publishers publish hundreds of books a year, and they just don't have the time or staff to to devote to any one book. Yes, it you are Scott Turow, Sue Grafton, or James Patterson, the publisher will get behind you and promote you like heck because they know your book will sell, but if you are still unknown, they won't put the muscle behind you. It should be the opposite - the publisher should promote an unknown, but that is not how it works.
Public relations will get you in the news. It gets your message to your audience and informs them who you are and what you are writing about. Through interviews in newspapers, magazines, radio, TV, and the internet, you can discuss what your book is about and why it is important to read.

What is the difference between public relations and advertising?
Advertising is great. It assures that you will be in a certain publication on the date that you want it. You pay the publication a lot of money and it is a sure thing. However, everyone knows that you paid for this and many people don't read ads. Ads are not news.
Public relations involves news. PR is considered a highly credible form of promotion because one cannot pay an editor or publication to be in that publication. Only if the media outlet likes the story and thinks it is relevant to its readers/listeners will they put it in the news. It is a third party endorsement of you as an author. Public relations is the cultivation of positive ideas about a person or product through a variety of communications channels and tools -TV, radio, magazines, newspapers, blogs and the internet. It builds awareness and a favorable image through stories in media outlets, and it enhances and manages the reputation by putting the client in the most favorable light.
A well -structured PR campaign can result in the author being exposed to more detailed information than they receive with an ad. A feature story in a newspaper can tell a lot more about an author than can an ad.
PR is a lot less expensive than advertising.
The disadvantage of PR is that you don't have direct control over your message. You can't tell the reporter what to say so that your message may not be precisely what you planned. Also, there is always a chance that your release will get "bumped" from planned media coverage because of a breaking news story like a war or severe weather.

Is it scary being in the news?
The worst part of being in the news is thinking about it. The anticipation of it is the worst. If you prepare properly, then you will be OK. Once you begin your interview, you will love it and will become addicted to it. It is an amazing high and you will have the time of your life with it. After you have been exposed to the media. you will want to do more and more interviews and they will get easier with each appearance.

How do we prepare for our appearances?
Put together a media kit - a professional photo of you, a photo of your book cover, your biography, a summary of your book, a testimonial from someone well known who has read your book, and other media which has covered your book already. Have this in email format as well as hard copies.
Send the kit and your book to the producer of the show a few weeks before your interview. Follow-up with the producer to make sure he has all the material he needs.
Before you go on the air, practice. Ask a friend to play radio with you so that you can give great sound bites and advice. Listen to yourself and see if you are pacing yourself properly. Are you talking too fast or too slow?
In the beginning, listen to the show you are supposed to go on. What is the name of the host who will interview you? Make sure you address him by name when he interviews you so that it seems that you are friends. See what questions the host throws out. Does he go for the laughs? Is the show in a serious vein or more fun? You will feel more comfortable if you know the slant of the show.

How can we leverage our media coverage?
Follow - up and analyze your interview. Watch and listen to what you said. How did you do on the air? Did you say, "ahhh" too much? did you talk to fast? Were you boring? Did you say the name of your host? Did you make is sound like you were buddies? Were you funny and informative? Think about how you could have done better and improve next time.
Make sure you write a thank you note to the producer and ask him if he can recommend you to other producers.
Send out a notice to your friends that you will appear on the show. Put your appearance on Linkedin, Twitter, and Facebook.
When you pitch other shows, tell them that you have been covered by other media.


Lynda and Jim will tackle another topic on Jan. 17th. Please drop by and let us know if your questions are being answered. Feel free to leave comments and questions for the O'Connors to help you with your publicity efforts.
_________
Contact Information:

Lynda O'Connor, Principal
333 Warwick Road, Lake Forest, IL 60045
Phone: (847) 615-5462 , Fax: (847) 615-5465
E-mail: lyndao@oconnorpr.com

Find on Speaker Site, Linked in, Facebook, Twitter

Website: http://www.oconnorpr.com/

Carol Denbow Discusses A Book Inside

Do you have an expertise that may benefit others? Has your

imagination run wild with thrilling mysteries others may enjoy

reading? Or do you simply have a story to tell? If you feel there

is a book inside you, the first step to turning your idea into a

book is, of course, writing it.

First and foremost, write what you know. With experience

comes knowledge, and you will enjoy writing more when you

are acquainted with your subject. Later, when you are promoting

your book, you will need to be very familiar with the information

in the book to be comfortable discussing it with potential buyersand others.

Carol, it's wonderful to have you here. I know you're a busy lady. Please give us a brief bio.
I am the founder of Plain & Simple Books Publishing as well as the author of six non-fiction books since 2006. I have been interviewed online, in print, radio, and television. Some of my books include Are You Ready to Be Your Own Boss?, Stress Relief for the Working Stiff, and A Book Inside, How to Write, Publish, and Sell Your Story, a popular book with aspiring as well as seasoned authors.

I am the proud mom of two wonderful grown children. I live on a farm with my husband Craig just outside the small community of North Bend, Oregon. In addition to farming, writing, and publishing, Craig and I are the proprietors of The Clubhouse, a restaurant at Watson Ranch Golf Course.

Yum! I'll have to tell my husband about that. He heads west to pheasant hunt every year.
When did the writing bug bite, and in what genre(s)?
It was never a dream of mine as it is for most writers. I had started up and operated a small business. After slamming into so many walls along the way, I saw a need for a simplified small business start-up book. Voila! Are You Ready to be Your Own Boss? was finished just two years following my retirement.

When you started writing, what goals did you want to accomplish? Is there a message you want readers to grasp?
Back then, only to see a book in print. Nowadays, I truly enjoy helping writers achieve the same goal. Book writing is a business, but more importantly, a writer should embrace the experience and joyful accomplishment of seeing their book in print. If your heart and pen are ready to write—do it, and finish it!

Briefly tell us about your latest book. Series or stand-alone?
100 Ways to Market Your Book for Free (or really cheap) is a collection of helpful tips for published authors who are frustrated with rejection and stagnancy in the traditional book selling markets.
Let’s face it, the Barnes & Nobles of the world are not willing to put your first-time author book on the shelf next to the Rowling series, and The New York Times is even less likely to include your book on their bestsellers list. So where does one market their new release without the growing price tag associated with old-time marketing strategies?
My newest release is an e-book with built-in links to the places and avenues where new authors can create a buzz about their books without spending thousands of dollars to do so. It is also a “living” book where readers who locate additional resources they would like to share with other readers can submit their new finds to be included in this regularly updated book. Those who purchase the e-book can re-order it for free with these latest updates included. So the book is never outdated and we can share our ideas with each other, endlessly.

How do you determine voice in your writing?
I write non-fiction, although I do have an un-finished murder mystery hiding in my computer waiting to be born again. With my non-fiction books, I write from the heart; say it the way it is. I never attempt to use “big words.” Most of us are not college educated and have a need for plain and simple language which everyone is able to comprehend and easily follow.
The murder mystery I started (sad to say, 6 months ago), is only at 10,000 words. But those were written all at one sitting. I locked myself into a beach house up north and committed to seeing if I could even attempt writing fiction. Happy to say, I think it’s pretty good. I feel as if the non-fiction writing I have done in simple text has really prepared me for creating and speaking for my characters in the unfinished book. I strongly suggest new writers attempt non-fiction prior to fiction book writing to gain this insight and advance their writing skills.

How does your environment/upbringing color your writing?
Maybe this is not the appropriate answer to the question posed, but all that come to mind is that, as a writer, I am blessed to have the perfect writing environment at hand. Where I live it is quiet and peaceful. My desk is set against a window looking out to a stunning valley and river view. I doubt there could be a better place to focus and create.

Perhaps I need to come for a visit. LOL
What are your current projects?
After publishing my first two business-related books, my loving hubby convinced me to write a book about my publishing experience. A Book Inside, How to Write, Publish, and Sell Your Story has been my biggest success (released last November). So the journey has begun and nowadays I write specifically about and for this industry. My latest release of course is the e-book, 100 Ways to Market Your book for Free (or really cheap).
But I am hoping to draw back some and attempt to continue where I left off with the murder mystery. I might need to go back to that beach house!

Come on over to eastern North Carolina!
Where can folks learn more about your books and events?
I have a personal Website for writers and authors which include pages about my books. Viewers can visit that site at http://www.AuthorsBox.com. I also have a very popular Blog for writers and authors at http://abookinside.blogspot.com/. This Blog is regularly updated and loaded with tips and information on book writing and publishing.

Carol, thank you so much for all you do for other writers. It has been a pleasure to interview you!