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Thursday, June 10, 2010

John Foxjohn's Tattered Justice


John Foxjohn epitomizes the phrase “been there—done that.” Born and raised in the rural East Texas town of Nacogdoches, John quit high school and joined the Army at seventeen—Viet Nam veteran, Army Airborne Ranger, policeman and homicide detective, retired teacher and coach, and now a multi-published author. John uses his extensive experience, as well as meticulous research, to write his suspenseful, true-to-life novels and instruct other writers at workshops and conferences in forensics, crime scene investigations, and other facets relating to law enforcement.

John is a member of Romance Writers of America, Mystery Writers of America, Northwest Houston chapter of RWA, Elements of Romance, Kiss of Death, Lethal Ladies, Sisters-in-Crime, East Texas Writers Guild, League of Texas Writers, and more online writing groups than he can count. He is a full time writer and speaker and lives in Lufkin, Texas, but travels extensively across the U.S.

John, it's great to have you here. Wow! What an interesting life and plenty of fodder for writing.
What books came along at just the right time to influence your reading/writing?


Choose any of Louis L’Amour books and you have hit on it. I grew up reading and loving the classics—still do, but I fell in love with the westerns and especially Louis L’Amour. If I was going to say anyone author influenced me over others—it would have to be him.

What are your writing goals?

I continue to strive to get better. One day, I want to write the perfect book. I realize that probably isn’t possible, but I know it isn’t if I don’t try.

Is there a message in your writing you want readers to grasp?

Not really—my goal is to entertain, take the reader out of their world and bring them into the one I have created.

Briefly tell us about your latest book.

Kayla Nugent, a Houston criminal defense attorney, knows money can buy many things, but it can't buy love or friendship, and it shouldn't buy justice. When a best-selling romance author is murdered, the politically motivated D.A. charges Kayla's former best friend with the murder. The decision forces Kayla to face a past that ripped her life to shreds, and defend the one person she'd rather see in jail.
The stress of the high profile trial and a client she doesn't trust hinders Kayla's developing relationship with Darren Duval, a private detective hired to help her. The people close to Kayla try to convince her not to take the case. Only one insists she drop it—the person trying to kill her.

What’s the hook for the book?

Ahh, the hook. How about I wrote it almost exclusively through the eyes of a woman.

Do you think your writing has improved since your first attempt? In what way?

God, I hope so—if not I am in a heap of trouble. When I began I knew nothing about writing, characterization, anything. I look back on some of those first drafts and it almost makes me sick to my stomach.

Were any of your books more challenging to write than the others? If so, why?

My last one was definitely more challenging. First, I did write it through a woman’s POV, but she is an attorney, and involved a huge courtroom scene—a profession and scene I knew nothing about.
I spent a huge amount of time in courtrooms observing trials, talking to criminal defense attorneys, prosecuting attorneys and judges, asking questions, just to get the information I needed. Fortunately, I got about ten times the amount I really needed. That’s good because I am writing the sequel now.

How do you develop characters? Setting?

I do an in depth character study before I write a single word of the manuscript. I know more about my characters than any one. For Kayla Nugent, my protagonist/heroine in Tattered Justice, I had fifty-two pages of character information.

Do you have specific techniques you use to develop the plot and stay on track?

I outline, but it is a brief outline, and it mostly consists of the conflicts and the layering I want in the story.

How does your environment/upbringing color your writing?

That’s difficult to answer. I have done many things in my life. I have some experiences very few do—do they show themselves in my writing? I’m quite sure they must. People have told this, but when I am writing, my experiences don’t creep into my mind. Of course, they are there and sometimes they come out and it surprises me when I find it.

Where do you write? When? What do you have around you?

Noise, can’t write in quiet—the nosier it is, the better. I love to write in a crowded IHOP, people talking, moving all around me.

I'm just the opposite. I think I have Adult ADD. lol.

After hours of intense writing, how do you unwind?

I am fond of a glass or two of good white wine, or maybe a Captain Morgan’s spiced rum and Coke, and of course, have them in the hot tub. My hot tub is without a doubt the best investment I ever made.

What are your current projects?

At the moment, I am writing the sequel to Tattered Justice. I am calling it Poetic Justice. It is going to be a fantastic romantic suspense.

I have actually been researching a book for about six years—one that has never been written. I call it Unheralded American Heroes. Everyone knows about this countries famous people, but we have many heroes that for one reason or another, never came into the forefront of American History.
This book is about these heroes—the ones most people don’t know about.

Now, there’s a reason no one has ever written it, it may take me another few years just to finish the research—it’s not easy to find.

Good luck with it.
I am also in the process of writing another David Mason novel.

Where can folks learn more about your books and events?

My next big event is in July—I am presenting a class at the Romance Writers of America’s National convention at Florida’s Disney World.
They can also check out my web site—www.johnfoxjohnhome.com

Super! Thanks for the inteview, John, and continued success!

Wednesday, June 9, 2010

Latest Hell Swamp review



Genre: FICTION, MYSTERY/SUSPENSE

Title: HELL SWAMP

Author: SUSAN WHITFIELD

Maybe the planets are in alignment or something or maybe my boss just knows what type of books I like, but I’ve been blessed of late with some outstanding books to review and this mystery featuring tough, feisty and savvy State Investigator Logan Hunter is definitely one of them. The author sets the tone right away with a poem, warning of “a wrecked place, the devil’s keep” where “death is always near”. The mystery begins with Agent Hunter’s gruesome investigation of the gory, gutted body of a woman hanging from a chain—bloody entrails scattered about. Prepare yourself for a suspenseful roller coaster ride with plenty of suspects, obstacles, twists, turns and horror—including a sociopath who is bent on stopping the investigation by any means necessary. All that, plus mutilated animals, Satan worshippers and snakes!

Okay, the mystery is definitely engaging but what really captivated me most was the author’s writing style and her skillful portrayal of her characters. Not only that, but she was able to make it as if I were right there in North Carolina; why, I could just about feel the humidity and almost taste the vinegar-based barbeque. And her usage of colloquialisms (expressions such as “dang nabbit” or “dadgum”, and “yonder”) are scattered perfectly, not too heavy, just enough for flavor. But let me get back to the wonderful characters: Logan, the protagonist, is tough and competent, yet feminine, romantic and vulnerable. And the supporting cast of colorful characters literally leaps off the page. One’s body is described as “a corpse of corn”, another has a “navel mouth”, and yet another has “piranha teeth and a nose like a bull’s hairy gonad”. Someone grins ”like a mule eating briars”. Whoa! Is that vivid imagery or what?

The book jacket tells us the author is a life-long resident of North Carolina, ergo it’s no small wonder how she was able to put the reader right there. Susan also published two previous mystery novels so she’s no rookie and that explains the writing skills. Look for Genesis Beach and Just North of Luck. In conclusion, what do we have here? Well, we’ve got a well-written, suspenseful mystery with a likeable protagonist, vivid
imagery, a taste of horror, a little tongue-in-cheek humor and even romance. What’s not to like?

Recommended, by reviewer: Jan Evan Whitford, Allbooks Reviews, 08 June 2010

Published by: L&L Dreamspell ©2009

ISBN 978-1-60318-094-8 Trade paperback,

195 pages $15.95

Thanks a bunch, Jan!

Tuesday, June 8, 2010

A Death in Texas interview

Texas-based L&L Dreamspell published A Death in Texas , an anthology of stories about...well, death in Texas. I hope you enjoy my interview with five of the authors who contributed murder and mayhem to this book: Pauline Baird Jones, Loretta Wheeler, Diana Driver, Laura Elvebak, and Shirley Wetzel.

Welcome, ladies. First, congratulations to all of you who have work published in this anthology.


Pauline, please introduce yourself and give us a short synopsis of your story.

I'm Pauline Baird Jones, the award-winning author of nine novels of science fiction romance, action-adventure, suspense, romantic suspense and comedy-mystery, three non-fiction handbooks for writers.


In  "Men in Jeans", Richard Daniels thinks life can't get any stranger working at Area 51 until he is assigned to find out where a Houston area SF writer gets the ideas for her books. Should be an easy assignment--if it weren't for the dead guy in her back yard and the non-business related ideas she's giving him.

I'm intrigued, Pauline.

Loretta, welcome, and tell us a little bit about you.

Hi, Susan. Thank you for having me here today. It’s always been a pleasure to visit here, and doubly nice to find myself being interviewed.

I'm Loretta Wheeler and I currently live in a suburb just outside of Houston, Texas along with my Australian husband and our cat, Lil’ Dickens. When I married John, I moved to Australia for seven years and now have come almost full circle, living within 10 miles of where I lived before. As someone said to me when I returned, I went halfway around the world to wind up in the same spot. My furniture has traveled to more places than some people:)

I write thrillers, and most have paranormal overtones in them. "Dark Pleasures", which is my short story in the A Death in Texas anthology, is a more typical thriller, dealing with a psychopath, a criminal psychologist, a detective, and last but definitely not least, a dog. The dog (Hob) begins as a metaphor but quickly emerges as something more. Much more. Hob fills a very strong niche’ in the story as it develops, and it’s one I think the reader will not only find intriguing, but also extremely unusual. This particular short story was written as a prequel for the novel that will follow.

Fantastic!
Diana, it's nice to have you join us. Please tell us about yourself and your story.

Diana Driver:  I’m originally from Cheyenne, Wyoming, but have lived most of my life in Texas.

"Die Mahnung" (The Warning) is a murder mystery, set in a small Texas town. “Jake was the law in this small, sparsely populated Texas county and he decided which laws people obeyed - and which laws he didn't give a hot damn about. When residents began dying, Jake's wife, Jesse, wondered if Jake thought it was okay to get away with...murder.”

Interesting.

Laura Elvebak is the author of LESS DEAD (2008) and LOST WITNESS (2009), (L&L Dreamspell), both awarded five star reviews on Amazon, which features Niki Alexander, an ex-cop turned teen counselor. Her published short stories are "Searching for Rachel" featured in A DEATH IN TEXAS, and “Dying For Chocolate” in the award winning A BOX OF TEXAS CHOCOLATES. Several of her screenplays were written for-hire and optioned. Originally from Los Angeles, Laura now lives in Houston, Texas. Laura is a former chapter president of Mystery Writers of America, is serving a third term as Southwest Chapter’s Treasurer and is the continuing editor of The Sleuth Sayer, the chapter’s newsletter. She is a member of Sisters-In-Crime and The Final Twist Writers.

Welcome, Laura. Please give us a short synopsis of your story.

Okay. Thanks. “Searching for Rachel” is about the disappearance of Rachel  and how it changed her younger sister Tracy's life forever. Now after two years, Tracy has no one. After her father walked out on the family, her mother gave up. Now alone and scared, Tracy is out on the street searching for the runaway Rachel, certain that if she finds her, her father would come home.

Sounds great.

Shirley, how about a few details about yourself?

Shirley Wetzel:  I've been writing since I was first able to hold a pencil, and reading before that. My first "published" book was an autobiography, written when I was in the third grade. It was a pretty short book. I'm a native Texan, born in Comanche in the first wave of Baby Boomers. My dad was in the Navy, so we lived all over the country, finally settling down back in Texas. I have a B.A. from Texas Tech University, an M.A. in Anthropology from Rice University, and an M.S. in Library Science from the University of North Texas. I've been a librarian at Rice University for 28 years. Here's the synopsis for "Feels Like Home" , from A Death in Texas:


Normally, Judy West looked forward to leaving the big city of Houston to return to her roots in Comanche, Texas and visit with her many kinfolks. This trip was different, however. We were gathering in the lovingly restored home of my paternal grandparents to discuss a family tragedy. Cousin Sam, one of the best and brightest of us, had returned from Vietnam a troubled, unhappy man, got involved in the drug trade, and was murdered by his cohorts in crime. They burned down the meth lab, and along with it the ancient log homestead of our Harman ancestors. We all grieved for Sam, for his family, and for our lost history. By the end of the weekend, we had more to grieve about, as unpleasant family skeletons came out of the closet.

Wow! You have my attention, Shirley.
Do you guys write any other genres?

Jones:  The short answer is yes. I tend to wander through generes and liberally mix them together.

Wheeler:  I’ve written one romantic short story titled "The Pan Man". It won an honorable mention on the Long and Short Review and is in their archive section now. I wanted to see if I could write a YA with a happy ever after ending, and was quite delighted when it placed. I’ve also written a children’s story, but it hasn’t found a home as of this time. Its title is "A Butterbean Named A”.

Driver:  My novel, Ninth Lord of the Night is a contemporary and a mix of fantasy & magical realism. The companion book, The Maya, People of the Maize is a non-fiction guidebook about the classic Maya civilization. "Valentine’s Day" is a romantic short story and is included in the anthology, A Box of Texas Chocolates. My next release, The Amber Rune, is a fantasy, based on Norwegian myths and legends.

Elvebak: Mainly mystery suspense, although I have published self help articles for Single Again Magazine in California. Also two of the screenplays I wrote for hire revolved around the 1900 Galveston Storm and another one was a children’s comedy.

Wetzel:  I write historical articles, academic papers, a few poems, and personal essays. I also do book reviews for the mystery website http://www.overmydeadbody.com/

What books came along at just the right time to influence your reading/writing?

Jones: Becoming a Writer by Dorothea Brande. It’s a wonderful book for the new author not sure he/she has what it takes to be a writer. Playwriting: The Structure of Action by Sam Smiley. I learned SO much about creating characters from this book.

Wheeler: I was one of those avid readers, and moved through several genres, but I was always more drawn to thrillers. I read Poe at a young age, and everything Phyllis A. Whitney wrote, moving rapidly on to Stephen King’s work, along with Dean Koontz and Anne Rice. Stephen King’s The Stand was one of the most profound for me. I enjoyed the way he took something very dark and taught life lessons within it. I also like the idea that he always pushes the envelope. It opens more envelopes for us as new writers.
 
Driver: Not books so much as information over the internet about the WWII P.O.W. camps located in Texas that held prisoners of Rommel’s elite corps.

Elvebak:  Jonathan Kellerman writes about Dr. Alex Delaware, a child psychologist, who helps the police solves crimes that involve children with severe psychological problems. He probably influenced me the most in writing about Niki Alexander.
James Lee Burke influenced me in a different way in that I loved his characters and his descriptions, as did Robert B. Parker. In some ways, their styles were so different, Parker’s being very spare and Burke painting such vivid pictures with words. Both had a very concise idea of justice.

Wetzel:  That's a very hard question. I was influenced by the Nancy Drew books, and others of that type, before I was twelve. Then I discovered Agatha Christie, and went on from there. Because I have a degree in archeology, Elizabeth Peters' Amelia Peabody series certainly influenced my writing. I found Stephen King's book, On Writing: A Memoir of the Craft, inspirational and filled with practical information

What makes a good story?

Jones:  Good storytelling. LOL! Okay, let’s see, you need to pull the reader into the story, keep them in the story, entertain and surprise them, and then deliver on the ending.

Wheeler:  I think that varies from person to person. That’s why the bookstores are full. For me, it’s mainly the tension, but I also like it if the story can incorporate a life lesson, or the acceptance of something outside what’s considered a normal concept.

Driver:  Good stories are created by skilled writers who know how to use story elements to their full advantage. A good writer knows how to pace a plot, how to develop a character, set a scene, create dialogue, and use description to its maximum advantage.
The above being said, reading likes and dislikes vary widely. A good story is only considered good if the reader enjoys reading the genre in which the story is written.

Elvebak: Memorable characters who have to conquer seemingly insurmountable problems.

Wetzel:  First of all, an interesting, believable protagonist and a good supporting cast of characters. Setting is important to me, with details that allow me to visualize exactly what the characters are seeing, feeling, even smelling. I'm a Virgo, and a librarian and historian, so I want those details to be correct. A reader at all familiar with a particular place or profession can tell when the writer has been lazy or sloppy with the research. Oh, and a coherent plot is nice too.

Is there a different writing process for short stories than there is for novels?

Jones: Write shorter. That is obvious., but not that easy for me. I tend to write long, complicated plots.

Wheeler:  Well, I know it takes a lot less time for a short story! I refer to it as icing. It’s a treat. More like instant gratification. I do a light outline of the short story, sit down, and let it take over. For a novel, I begin with the outline, then do character sheets, and of course, quite a bit more research. But as with the short story, for me, the story takes over, and I travel down some paths I hadn’t planned.

Driver:  The only difference between creating a short story and a novel is the length; both long and short fiction have a beginning, middle, and end, but in a piece of short fiction there’s no room for intricate and detailed subplots.

Elvebak:  I have to discipline myself to write short, work with one plot instead of using subplots. I actually found it easier than I expected. The problem was tearing myself away from writing the novel and interrupting the flow to write something completely different. It usually was a blessing in the end, showing that I needed that break and to come back to the novel with fresh eyes.

Wetzel:  I find short stories to be more difficult to write than novels because so much must be said in such a limited number of words. Then again, they are easier to finish. I have several finished short stories, and one novel that has been languishing unfinished for some time.

How do you discipline yourself when writing?

Jones:  I use a reward system. If I get xx number of words written, or solve xx problems, then I get to read xx book or xx movie or I can go eat xx.

Wheeler:  Oh streuth! (As they say in Australia). That’s the equivalent of OMG. I do have a hard time with the discipline. The best way for me to achieve my goal is for someone to set a deadline for me, or set it myself. I seem to need that.

Driver:  I stay off the Internet.

I need to discipline myself that way too.

Elvebak:  When the writing is going well, I get completely lost in it. Time means nothing. It melts away. I procrastinate sometimes before I start writing. I’ll finish reading all my email, read blogs, play Freecell, but once I start, I don’t want to stop, and I hate being interrupted. But that’s another discipline.

Wetzel:  This is my biggest problem. I try to follow the adage to "put butt in chair and write," but I'm not too good at that. In 1996 I wrote in my diary "My muse is like the Texas weather: long spells of drought and despair followed by days of wild, uncontrolled outpourings from the skies." Having a deadline is the main thing that makes me sit down and get to work.

Have you participated in  any other anthologies? If so, which ones?

Jones:  Short stories were painful for me at first, but became my lifeline during a family crisis. When I lacked time to write long, short kept me going. I am in the following anthologies: Dead and Breakfast, A Box of Texas Chocolates, Ghostly Dreamspell, The Mystery of the Green Mist, and Romance of My Dreams I (two stories).

Wheeler:  Yes, I have a story entitled "Siren’s Call" in the Erotic Dreamspell anthology, due to release in the winter of 2010.

Driver:  I have another mystery short story, "The End of the Tour", in the Dead and Breakfast anthology and a sweet romance, "Valentine’s Day", as I said earlier, is in A Box of Texas Chocolates. Both anthologies are published by L&L Dreamspell.

Elvebak:  I have a short story in A Box of Texas Chocolates entitled “Dying For Chocolate”. It's also a L&L Dreamspell anthology.

Wetzel:  A personal essay I wrote about the unusual love story of my aunt and uncle, titled "Two Dollar Wife," was published in A Cup of Comfort for Weddings: Something Old, Something New, in 2005. http://www.adamsmediastore.com/product/808/27? . I have a historical, creative-non-fiction ghost story called "Sarah Hornsby's Dream" coming out in the next Final Twist anthology, Twisted Tales of Texas Landmarks, being published by L&L Dreamspell this year.

When writing, what themes do you feel passionate about?

Jones:  I’m pretty passionate about not liking themes, probably a hangover from school. Despite my best efforts, I can see themes creeping into my writing. Perhaps because of when I was born (a long time ago) and the tumults of my informative years (women’s emancipation) I find myself writing a lot of about identity and women’s roles, but I try not to be too serious about it.

Wheeler:  Thinking outside the box. In some of my writing, I strive to incorporate some of my belief system. In "Dark Pleasures", the reader sees animals and telepathy in a very different light.
In "The Image", my current work in progress for an e-book, I touch lightly on quantum physics, and how our thoughts are more powerful than we could ever have imagined.

Driver:  There were two themes in Ninth Lord of the Night that I was passionate about. The first, and most important, was that the reader understands the importance of preserving written history. The second theme, and one that occurs again and again in my writing, is that you have to be true to yourself and not live your life according to false principles and predetermined ideas.

Elvebak:  Homeless children and how they got there and how they survive. I’ve used that theme in my Niki Alexander books. I seek answers as to what drives a person to deviant behavior; the psychology of madness or evil; family dynamics and dysfunction.

Wetzel:  Family, relationships, justice, and the strength of the human spirit in the face of adversity

Francis Bacon once said, "Write down the thoughts of the moment. Those that come unsought for are commonly the most valuable." Where are you when you have your most inspiring moments and how do you react to them?

Jones:  I get inspired in many places, but I probably feel most inspired when I am in the mountains. I grew up surrounded by them and miss them where I live now, so it’s always great when I can get home and reconnect. Mountains give you perspective and that’s always good. I am more grounded when I leave them behind.

Wheeler:  I have them anywhere, at any time. I was recently working on a short story for a competition, and got the opening sentence while waiting in line at the Nutcracker.

Whitfield:  Okay, I have to jump in here and snicker, Loretta. You apparently get inspiration in much the same wacky way I do. Love it!

Wheeler:  Fortunately for me it was a short sentence and I was able to wait to write it down. I normally keep writing material around me when at home, but I can tell I’m going to have to start dragging notepads around with me from now on.

Driver:  My best thoughts and ideas come when I’m doing something mundane like housework or just before I drift off to sleep. During those times my mind drifts into the scene I’m working on and I can visualize all the details.

Elvebak:  Usually about 3:00 or 4:30 in the morning. Then I can’t get back to sleep. I’ll be inspired by a dream or a solution to a problem that’s just occurred to me upon waking. I’ll mull over it until I’m wide awake and I’ll either write it down or it will cook in my head until it’s ready to spill over on the page.

Wetzel:  Inspiring moments may come to me anytime and anywhere. They often come to me as I'm drifting off to sleep, in my dreams, and when I'm on the edge of waking up. For these, I have a pen and paper on the table next to my bed. I carry a notepad, and listen to conversations going on around me, at the grocery store, on the shuttle bus, waiting for a doctor's appointment … Many of those conversations these days are one-way, because so many people are on their cell phones, and I have to fill in the other side of the conversation. Once in a great while, something said in a television program or movie strikes me, and books by my favorite authors often have inspiring content.

Do you have any other writing projects underway?

Jones:  In addition to promoting my latest release Girl Gone Nova, and looking forward to the release of my Steampunk/science fiction romance novella, Tangled in Time in 12/2010, I am writing a new novel in my Project Universe/Garradian Galaxy series. Each book can be read stand alone, but they are more fun, IMHO, if you read them all.

Wheeler:  Yes, as mentioned earlier, I’m currently working on The Image, which is novella size and releasing as an e-book. I will return to The Midnight Dance/The Devereaux Chronicles once I’ve completed The Image. The Midnight Dance helped me achieve my PRO position in the RWA when the Marsal Lyon Agency requested a look at the manuscript after reviewing my pitch and query letter. Following that, I will revisit "Dark Pleasures" to complete the story I began in A Death in Texas.

Driver:  Right now I’m writing a fantasy, The Amber Rune. This involves researching runology, occult magic, the Nordic pantheon, and reading ancient Nordic manuscripts.

Elvebak:  I am working on a stand-alone that takes place in the sixties in Philadelphia and revolves around the demimonde world of bar girls and go go dancers. I’m also working on another short story for the next Final Twist Anthology. I had also started on the third Niki Alexander mystery.

Wetzel:  I have a few mystery short stories finished and waiting to be polished, and a mystery novel long a work in progress. My father died recently, at the age of 89, and for the last few years I recorded his stories about growing up, about family members long gone, and about his service in the Navy in WWII. My mother is 89, and I'm now gathering her stories and memories. I've been scanning old family photos, some of them over one hundred years old, and turning them into albums to share with my other relatives. Along the way, in organizing the photos chronologically and in family groups, I realized I've been "writing" our family history. That project is demanding to be done now, while my Mother and other elderly sources are still here to identify people in the photos that I don't know.

Where can readers learn more about you?

Jones:  http://www.perilouspauline.com/

Wheeler:  I have two websites for each of the names I write under, and I am on Facebook, listed as Loretta Wheeler. On MySpace I can be found under Southern Nuances. Both of my websites are currently in the process of being updated.

http://www.lorettawheeler.com/
http://www.lreveaux.com/
http://www.myspace.com/southernnuances

Driver: My website is http://www.dianadriver.com/

Elvebak: My website: www.lauraelvebak.com and my blog, which I need to attend to more, http://www.lauraelvebak.blogspot.com/

Wetzel:   On my blog, http://swetzel.wordpress.com/, and on the L&L Dreamspell and the Final Twist websites.
 
Thank you ladies, for joining together for this interview. Bloggers, for more information about A Death in Texas and other Dreamspell publications, go to http://www.lldreamspell.com/

Monday, June 7, 2010

Brian L. Porter


My guest today is, indeed, a special one. I "met" Brian L. Porter online several years ago and absolutely had to read
 A Study In Red: The Secret Journal of Jack The Ripper. 
I later told Brian he gave me the "heebie-jeebies" and he took it as the compliment it was meant to be. He is a prolific writer and I don't know how he has time for interviews, but I'm delighted to snag him for a few minutes.


Here's his biography:
Winner, Best Author, The Preditors & Editors Readers Awards 2009, and also Winner of Best Children's Book, and Best Artwork for Tilly's Tale (under his Harry Porter pseudonym), and with a Top Ten Finisher Award for his thriller Legacy of the Ripper, Brian L Porter is the author of a number of successful novels. His works include the winner of The Preditors & Editors Best Thriller Novel 2008 Award, A Study in Red -- The Secret Journal of Jack the Ripper and its sequels, Legacy of the Ripper and the soon to be published final part of his Ripper trilogy, Requiem for the Ripper, all published by Double Dragon Publishing, and all signed for movie adaptation by Thunderball Films (L.A.), with A Study in Red already in the development stages of production.

Aside from his works on Jack the Ripper his other works include Pestilence (Double Dragon Publishing), Glastonbury (4RV Publishing), Kiss of Life (Mythica Publishing) and The Nemesis Cell (previously released in e-book by Stonehedge Publishing) from Mythica Publishing. Late 2010 will see the release of a paperback version of his e-novel Avenue of the Dead from 4RV Publishing. Mythica also released his short story collection, The Voice of Anton Bouchard in 2009. He has also had a number of shorter works released by various publishers.

Aside from his novels, Brian is a dedicated dog rescuer and shares his home with 12 rescued dogs. Using the pseudonym of Harry Porter, he has written a series of books designed to appeal to young and old alike under the collective title Harry Porter's Dog Tales. The first of these, the heart warming Tilly's Tale was released in November 2009, and the series is written in the hope of raising awareness of the extent of dog neglect and abuse in the world. His other childrens and young adult works include Arcadia 22Heavy -- Mayday and Alistair the Alligator.

In his third and final literary incarnation Brian is also an accomplished poet, writing under the name of Juan Pablo Jalisco and it was as Juan Pablo that he also won the Best Poet of 2008 Award in the Preditors and Editors Readers Poll for that year.

Brian is the Mystery/ Thriller Consultant Editor to Mythica Publishing (UK) and a Science fiction Conceptual Consultant to Stonehedge Publishing, (USA) and is a member of The American Authors Association, The Military Writers Society of America, and The Whitechapel Society 1888, for whom he was the sole judge of their 2009 Short Story Contest.

Whew! Brian, welcome and tell us what books came along at just the right time to influence your reading and writing.

As a young man I was enthralled by the works of Sir Arthur Conan Doyle. The air of mystery and suspense that pervaded every Sherlock Holmes tale stayed in my mind for ever and was certainly the major influence on my own writing. I also enjoy the works of Tess Gerritsen and Jeffery Deaver, both of whom were personally encouraging during the writing of A Study in Red. In their own individual way, each of these authors is a master of their craft and also serve to inspire and influence my style of thriller writing.

Oh, I love Gerritsen and Deaver as well. I'm looking forward to meeting Jeffrey at Killer Nashville later this year. Briefly tell us about your latest book.

With pleasure. Purple Death is published by Moongypsy Press and available from the publisher at http://moongypsypress.com/porter.php or from Amazon.com at http://www.amazon.com/Purple-Death-Brian-L-Porter/dp/1449954154/ref=sr_1_5?ie=UTF8&s=books&qid=1264973790&sr=1-5 The book has already received some great reviews and I’m very pleased with its performance so far. Here's a synopsis:

Tranquil suburban Richmond-on-Thames, home to such landmarks as Hampton Court Palace and Kew Gardens becomes the setting for a series of shocking and particularly gruesome murders that leads Detective Inspector Sean Connor and his team into a labyrinthine investigation in which all roads lead towards a thirty year old unsolved murder. The victims, all apparently unconnected to each other, are being dispatched by the use of a singularly unique poison, previously more closely associated with the notorious medieval Borgia family.

As the murders begin to multiply at an alarming rate Connor finds clues hard to come by, and every lead takes him down yet another blind alley as the killer seems to be one step ahead of the police at every turn. Together, he and his assistant Sergeant Lucy Clay must piece together the shreds of evidence that will lead them to the mysterious "Chocolate Woman" and in turn to the brain behind the horrific murders that soon come to be known as "The Purple Death."

Purple Death -- The Movie

This latest thriller from the pen of Brian L Porter has also been signed by Thunderball Films of Los Angeles for adaptation for the screen in movie or TV format, as part of an agreement that will see a number of the author's novels similarly adapted. For more details, please see Thunderball Films.

Congratulations on the outstanding success. More than one movie in the works? That's fabulous!


What’s the hook for Purple Death?
A long held grudge, a femme fatale…a date with Purple Death!


Do you think your writing has improved since your first attempt? In what way?

Yes I do. I’ve worked with some great editors and publishers who have encouraged me to develop my own style and to learn how to show deeper emotions and add ‘flesh’ to my characters so that they now come across as far more ‘complete’ and hopefully, those characters now engage with the readers to a greater extent than in some of my earlier works. For example, in my other new release Pestilence from Double Dragon Publishing I think I’ve created perhaps the most ‘solid’ collection of characters so far portrayed in one of my books. It’s a multi-facetted thriller containing a wide range of very different characters, but I’d like to think that each one is believable and has a human quality that readers can easily identify with.

Were any of your books more challenging to write than the others? If so, why?

Although each book has presented its own particular challenge, Purple Death perhaps gave me the biggest ‘headache’ in terms of the research required. I needed to find a virtually unidentifiable poison, for my serial killer to use, and found it very hard to elicit the information I required from my usual sources of such types of information, the police! Perhaps, understandably, they were reluctant to divulge such information to an author, especially one who is not exactly a household name (yet). Eventually, various internet searches led me to a chemist in Hong Kong of all places who was pleased to help me and we eventually settled on a poison that has resulted in only two known victims surviving ingestion of it in the last hundred years. He was also able to give me detailed descriptions of the effects of the poison, enabling me to write what I hope readers find to be quite harrowing accounts of the demise of my serial killer’s victims in the book.

The Jack the Ripper books, A Study in Red, Legacy of the Ripper and soon to be published Requiem for the Ripper also required mountains of research, all of which I thoroughly enjoy, luckily, as of course, the mingling of fact and fiction has to appear to be seamless in order for the books to work and be believable. Pestilence required a lot of research into the 1950s and the Cold War era, and for The Nemesis Cell I had to do a great deal of medical research and study in order to create a believable plotline. Each of these challenges was very different and for me, these periods of research can provide as much fun as the actual writing of the book itself.

What are your protagonist’s strengths? Flaws?
I try to make each of my characters as believable as possible. Therefore, if I create a pathological serial killer, I also try to show that such individuals can also appear to have a ‘normal’ side, a family, children, perhaps, and that, outside of the evil they may wreak on others, they are in fact, as human as the rest of us. Likewise, if I use a police investigator, he or she may also be shown to be not just a ‘good guy’ but may also have flaws in their personality that lead them to have personal or professional problems within the context of the storyline. They are not just ‘cardboard’ stereotypes; simply there to carry out procedures, they too, are shown to be as human and as fallible as the rest of us.

Do you have specific techniques you use to develop the plot and stay on track?
It may sound incredible, but, when I get the idea for a new book, it tends to come to me as a ‘whole’, from start to finish. The story just ‘appears in my mind and stays there from the day I write the first word until the final page is typed and the book is ready for proofing and editing. Very occasionally, I may change certain aspects of the story during the actual writing, but the essence of the storyline never changes from conception to final chapter.

How do you promote yourself online and off?
Apart from my main website at http://www.freewebs.com/brianlp/ each of my books usually has its own dedicated website too. I also make great use of the networking sites available from the Ning network and more recently, the Spruz network. Altogether, I have over 100 pages on such sites which enable me to reach a large number of people with news of my work and also to make lots of new friends and useful contacts. I also promote my children’s and dog rescue books, written under my Harry Porter pseudonym, through my site at http://harry-porter.webs.com/ and through the personal ‘dog blog’ of my lead rescue dog, Tilly, at http://tillyrescuedog.blogspot.com/

Where do you write? When? What do you have around you?
I write at home, any time, day or night, whenever the mood takes me, and I’m surrounded by books on Jack the Ripper, other research volumes, and photos of my dogs.

After hours of intense writing, how do you unwind?
Usually by taking a few of my 14 rescued dogs for a walk, or, if late at night, by watching one of my all time favorite movies, often for the umpteenth time.

What are your current projects?
I’ve just finished checking and agreeing the edits for the final part of my Ripper trilogy. The manuscript of Requiem for the Ripper has now been returned to Double Dragon Publishing and, after the cover has been designed the book should appear very soon. I’m also busy editing for Moongyspy Press, who will also be releasing the paperback version of my novel, The Nemesis Cell very soon. I’d like to ask everyone to also watch out for the release of my adventure thriller, Glastonbury from 4RV Publishing in the coming months.

Where can folks learn more about your books and events?
By visiting my aforementioned websites at http://www.freewebs.com/brianlp or http://harry-porter.webs.com/ or http://tillyrescuedog.blogspot.com/

My page at Moongypsy Press might also be interesting to your readers. They can find it at http://moongypsypress.com/porter.php In addition. Amazon.com have a full page of my books listed at http://www.amazon.com/s/ref=ntt_athr_dp_sr_1?_encoding=UTF8&sort=relevancerank&search-alias=books&field-author=Brian%20L.%20Porter

Brian, it has been delightful to have you from across the pond. Continued success and do let me know when the Ripper movie is out. Can't wait to see it!
Thank you so much for inviting me along to your blog, Susan. It’s been a pleasure being here.

Thursday, June 3, 2010

A Chat with Sylvia Dickey Smith


Sylvia Dickey Smith was born and reared in exotic southeast Texas, the land of Cajuns, cowboys, pirates and Paleo-Indians. She came into this world feet-first, and spent the first half of her life making it up to her mother. After marriage, she lived on the Caribbean island of Trinidad for seven years before returning to Texas. At 41 she took her first freshman class and fought her way to a BA in Sociology and a Masters in Educational Psychology while raising four children. After that, she worked with non-profit and for-profit organizations within the human services field before embarking on a career as a novelist. Books in her debut mystery/suspense have achieved winner status in writers’ contests. Her books are Dance On His Grave, Deadly Sins Deadly Secrets, and Dead Wreckoning, along with a cookbook, Sassy Southern Classy Cajun. She writes the Austin Writing Examiner on-line newspaper featuring the works of other authors, and conducts weekly interviews with mystery writers on her blog talk radio program, Murder, She Writes. Her latest work, A War Of Her Own, an historical novel set during WWII, is set for release on
September 2, 2010.



Sylvia, it's great to have you over. What an interesting background you have! I've read your books and enjoyed them immensely.
Is there a message in your writing you want readers to grasp?

Susan, I’m all about supporting women and helping them find their voice. For too many years, I didn’t have a voice. I started writing after I retired and that effort helped me find my voice and give it wings. These days, I never hesitate to speak up for myself, to express who I am in words.

I remember reading "Divorcing God",  a short, and my first introduction to Sylvia Dickey Smith. I remember the struggle. I'm so glad you worked through that to become the independent thinker you are now.

When I write, I also keep in mind how important if is for me to think outside the box. That catch phrase has been so overused I’m afraid it may lose it’s meaning, but to me, thinking outside the box means to not accept easy or pat answers that people give and expect me to embrace them simply because they tell me they speak truth. Actually, I not really into answers at all anymore. I believe in questions. They are what empower me—the what if’s, the why’s, the how come.

As a part of this thinking, I like my writing to cause people to question prior learning—whether it’s about religion, prejudice, or other social issues.

Briefly tell us about your latest book, A War of Her Own.

It's historical fiction set during WWII in southeast Texas, during a time when the whole world is at war and people live for the moment.

What’s the hook for the book?
A WAR OF HER OWN transports the reader to both a time and a place in American history when "all hell breaks loose." Of people caught in the backwater of the Depression. Where a sleepy little town, overnight turns into a vibrant wartime shipbuilding center caught in a maelstrom of social change. Yet one woman fights another war, and the unnamed enemy resides within her.

I'm intrigued.
Do you think your writing has improved since your first attempt? In what way?

Most definitely improved--my fans tell me so. Practice does, indeed, make us better regardless of what we're practicing! I think my characters are better and I give the reader a better sense of place.

Were any of your books more challenging to write than the others? If so, why?

Yes, A War Of Her Own was the most challenging. I’m dealing with an historical period—which requires more research. People thought differently, acted differently, had different social values.

How do you develop characters? Setting?

Setting, to me, IS character. When I read novels, I want to be IN the story—not simply read ABOUT the story. Setting, to me, is what accomplishes that. To develop setting, I take myself inside the scene and feel the temperature of the room, see what is around me, react to the tension that might be there. Flavor it with smells and colors and sounds! Character—I guess I do the same thing. I get inside the person and BE them.

I totally agree.
Do you have specific techniques you use to develop the plot and stay on track?

No, I’m a pantser—true and simple. I just sit and write. Sometimes this approach really slows me down because I must go back and look for information. And sometimes I don’t stay on track and have to get back on it! Critique groups help me with this. My brain resists outlines and tracking techniques. I discover the story as I go, and rewrite when I go astray. One of the neat things about writing a book though, is you do what works for you. There is no right or wrong way to go about. Writing is a very personal, individual effort. What works for one, might not work for me. And that’s okay. I figure it out as I go.

I'm also a pantser.
With your background I feel certain that your environment/upbringing color your writing.

Totally! In more ways than I can count! It guides me in character development, in describing setting—even in story ideas. None of my books were written in a vacuum. Each involves elements—all mixed together and changed until they are something/someone new. My beliefs and struggles flavor my work, inspire me, set me on the hunt of a good story.

What are your current projects, Sylvia?


Right now I have about three projects going on at the same time. One is a breakout novel from my last Sidra Smart mystery of Dead Wreckoning. Fans fell so in love with one the characters in the book that they begged for her—Boo Murphy—to have her own series—hence the birth of Swamp Sleuth. Another is the fourth book in the Sidra Smart series called Dance With the Devil. The third thing I’m working on right now is more of a saga named Call Her Cyn.

Wow! Good luck with all that going at once.
Where can folks learn more about your books and events?

My blog, http://www.sylviadickeysmithbooks.wordpress.com/ has descriptions of my published books. The books are available to purchase—autographed—from my website at www.sylviadickeysmith.com using PayPal. If folks want to pay by check, they can email me at sylvia@sylviadickeysmith.com and we can work out arrangements. They also can be purchased at Amazon.com, Barnes & Nobel.com, etc.
This week I will be adding a place on my blog where I can let folks know about the upcoming book launch events for A War Of Her Own, which should be on the streets in August, with an official launch date of September 2, 2010. A pre-order discount form for the book is now on my website at the May 27th posting date.

Sylvia is giving a free copy of A War Of Her Own to a lucky commenter. I will draw a name from the comments and Sylvia will take it from there. Don't forget to click the comment link for your chance to ask her a question or make a comment. Good luck!

Syliva, it has been my pleasure to learn more about you. Continued success!

Wednesday, June 2, 2010

J.R Poulter

J.R. Poulter is a prolific writer and my guest today. Welcome, Jennifer. Please give us a brief bio.
Trained as a reference librarian, I have worked in a variety of positions from a rare books librarian to book reviewer, from English Expression tutor and academic editor assisting Indonesian postgraduates, to assessment package writer for the Queensland Education Department, from children’s magazine literary editor to working in a circus! I wrote plays before writing poetry and later I wrote stories. I have been published as a literary poet in leading journals in Australia as well as the USA [e.g., Quadrant and Antipodes] under J.R.McRae. I was first published as a poet when still at school. I started writing for children when totally sleep deprived with my youngest, twins. I have 10 books out here, so far, as J.R.Poulter – 6 volume series for education, two picture books and two junior novels. I am married with five children, two full time cats, a part time cat, geckos, water dragons, possums and lots of wild birds from the large park nearby.

What books came along at just the right time to influence your reading/writing?
I have always been an avid reader. My Grandmother had a wonderful collection of books called ‘Lands and People’ and a children’s version of the stories of the Shakespearean plays. My Aunt Mary had amazing books on Egyptology and on famous artists like Rubens, the Pre-Raphaelites, the Impressionists, Kandinsky and others. My Father and maternal Grandfather used to recite the poems of Lewis Carroll and Henry Lawson, Mrs Hemans and Banjo Patterson. I think the end result was manifold. I love the sound and shape of words, the music locked in language, how you can bend and blend them to say new things new ways. I love combining words and images [am teaching myself illustrative art], have been called a highly visual writer and have a Carrollesque sense of humor.

What are your writing goals?
To have books published around the world – stories and narrative poems that children will love - stories that will engage them and make them want to read, poems that will imbue in them a love for poetry and the rhythms of language, books with images by the amazing illustrators with whom I have been very fortunate and honored to collaborate. I want very much to publish a book of literary poetry as well, possible with my own illustrations.

Is there a message in your writing you want readers to grasp?
The love of reading! Reading is the key that opens many, many doors - books do not just entertain, they also inform, instruct, guide and illumine. These days, children and young people are much more visually oriented so I believe that images accompanying the text of books of prose and poetry for children, young adults and even adults are important in helping to convey meaning and messages.

Briefly tell us about your latest book.
Can I give you two – each in different media?
Certainly.

Hard copy -

Mending Lucille, which deals with loss and grief, will hopefully be released in the US later this year. It won the Crichton, a major award out here, was listed in the top ten children’s/young Adult books in New Zealand, and was nominated for the Family Therapists’ Award,



Digital media –

“Toofs” has just been accepted for publication on iphone with PicPocket Books. It will be released in mid to late August and was co-written by my daughter Estelle Poulter and illustrated by Monica Rondino and Andrea Pucci of Italy. This is a first venture into the digital publishing arena for all four of us!

What’s the hook for the book(s)?
Hard copy -

Loss and resulting grief happen in all our lives but for a small child it can be harder to communicate the heart ache and sense of loss. The central character, a little girl, is helped to reach out for help on her road to recovery via a kindly woman who mends the child’s broken doll.
Digital media –

Did you know the Big Bad Wolf had teething problems? He did when he was a baby and oh what problems he caused for his big brother! This is a humorous look at the problems caused in a family by one baby's teething driven need to chew and BITE! The text has been co-written by Estelle who is a childcare professional and features the methods used in childcare to overcome the problem for other siblings and playmates.

Do you think your writing has improved since your first attempt? In what way?
Yes, I hope so – practice makes perfect! J Always be prepared to learn and be prepared to listen to constructive criticism. You aren’t perfect so don’t expect your writing to be that way first off. Put distance between yourself and your writing before a final edit. It helps you be more objective. It is not easy to tear your own child limb from limb and that is what a writer’s creations are to them!

Were any of your books more challenging to write than the others? If so, why?
The series of six books for education was the most challenging. The book was submitted originally as one volume, accepted and contracted. Then a new curriculum came out in draft form in one Australian state and the publisher decided they wanted the book to comply. No one outside of the higher echelons at the Education Department had a copy. This was a challenge. Sleuth work required. I did it whilst in hospital with a copy of the draft smuggled to me by a contact in the department. The rewritten ms was submitted. The company then went to the brink of bankruptcy and dropped their education titles. I found a new publisher. They decided they wanted to split the book into an anthology and four subject grouped collections –more work. They also wanted a sixth volume of humorous poetry.

How do you develop characters? Setting?
I’m a right brain writer. I get a phrase or image etc and just go for it! The story creates itself as it writes.

What are your protagonist’s strengths? Flaws?
It varies. Some are not so much protagonists as people on a journey of discovery about others in their lives, the world, and perhaps most importantly, themselves.

How do you determine voice in your writing?
Whatever fits that particular story. It happens spontaneously. Sometimes it is first person, sometimes third and so on.

How does your environment/upbringing color your writing?
I think the challenges, sorrows, traumas we all face in life shape us and help us grow. You write best, I believe, about what you know from experience or close observation.

How do you promote yourself online and off?
I’m learning – I’m not a natural self-promoter. I prefer to just write and draw so this doesn’t come naturally. I’m trying to get my head around FaceBook and Twitter and LinkedIn and JacketFlap and blogging – trouble is, when do you find time to write with all this stuff!

Where do you write? When? What do you have around you?
Anywhere! Any time! J Paper and pencil or biro at all times – never be without them!
Lots of books, computer, dictionary, images, photos piles of papers etc.

After hours of writing, how do you unwind?
Word games, drawing or photography, writing humorous verse that plays with words.

What are your current projects?
“Toofs” is coming out on iphone with PicPocket Books in mid to late August. It was co-written by my daughter Estelle Poulter and illustrated with humour and a real feel for this family’s not so funny dilemma by Monica Rondino and Andrea Pucci of Italy. This is my first venture into the digital publishing arena and I am truly excited about it.
Other projects include picture books with Angel Dominguez [Spain], Mary Manning [USA], novels [including “Cats’ Eyes” and “The Quizmaster”], a collection of literary poetry [“Blood and Other Essentials”], a collection of stories for children with Shahab Shamshirsaz [Italy] and two collections of humorous verse for children with Mattias Adolfsson [Sweden]. “Fox Shadows” will be published by Windy Hollows Books in 2011.

Where can folks learn more about your books and events?
Watch www.picpocketbooks.com - mid to late August “TOOFS!” will be released on iphone.

http://www.jenniferrpoulter.weebly.com/ for children’s writing and
http://jrmcrae-subversive.weebly.com/
for literary material and poetry
and blogs at www.jrpoulter.wordpess.com and http://www.jrmcrae.wordpess.com/

Jennifer, continued success. For more information about all of Jennifer's books, see the sites listed.

Tuesday, June 1, 2010

Whitfield Cover Award Winner Announced

The winner of the first Whitfield Cover Award is....The Little Pot by Dawn Stevens. Dawn will receive a free autographed copy of Sin Creek, to be released later this year along with a printable Whitfield Cover Award decal. Thanks to all of you who voted and special thanks to all the wonderful authors who were guests since this blog's inception. The next contest will be with covers from guests appearing after April 17th through the end of 2010.

The winning cover....

Tied finalists...

Edging Past Reality
by David Fingerman

                                                             Marta Stephens'
                                                                                 
The Devil Can Wait

Congrats to all !